Just it feels like he probably should’ve had a companion with him to bounce off of during the second third of the game, to add some levity to the proceedings. Neil Watts has, and Neil is a comedic king in these games. That’s a shame, because Quincy is a fun guy to hang out with otherwise. There are times where he just seems emotionless, even when he really shouldn’t be. We aren’t following indifferent but sympathetic workers, but a person with a kind heart, and so his reactions to the memories he witnesses are much more raw and emotional.when he reacts. Quincy has no clue as to where he is and what these orbs do, and that makes for an interesting twist on the formula. Except this time, there are no bickering scientists one-lining their way through a person’s life- instead, Quincy is the one in control, and this alone is an interesting concept. I won’t go into too much detail about the other two-thirds of the game, but I will say that the second half is more or less what you would come to expect from a Kan Gap game: exploring memories, collecting orbs, and moving on to the next memory. You never know what is going to hit our intrepid hero, Quincey, next.īut like the Steam page says, that is only the first third of the game. What is this mansion you found yourself invited to? Who is this mysterious woman who is lurking around the place? And whose is murdering this lovely old couple with very wealthy connections? It hits the Agatha Christie vibes just right. The game is at its best when you are surrounded by the mystery of everything going on. Other than that, I was going in blind, and I think that’s for the best. The only two things I knew going into Imposter Factory were twofold: 1) the basic synopsis (which even that I doubted) on the Steam page, and 2) the concept that IF’s main themes were “in-between” TTM and FP. So of course I forgot about it until release day, and in a panic I bought it and played it right away.
Still, I was excited for Imposter Factory Kan Gao never fails to make me laugh, think, and cry in the span of a few moments, and the few images we’ve gotten over the last two and a half years since its announcement have only made the hype grow. However, I only played Finding Paradise once, and while I thought it was just as good as its predecessor, I had a harder time connecting with it as I did with To The Moon, even though its themes were more relatable to me as a person. I have been in love with To The Moon since I played it all the way back in 2012, and I have never stopped loving it, no matter how many times I have replayed it.
So I finished Imposter Factory, the sequel to Kan Gao’s To The Moon and Finding Paradise games.
Imposter Factory: I Beat It (Non-Spoiler)
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